News

information on new work,
commissions, events
and upcoming shows

A Private Land / Tir Diarffordd

Susan Adams and I are starting a new project together, thanks to Arts Council Wales and National Lottery support.

After more than a century, the physical remains of the former Mid-Wales Hospital are falling into the final stages of dissolution, but it remains a site of intense and complex emotional resonance for many different communities and groups. Entering imaginatively into the site and the hidden stories it suggests, we will invite the voices of people who have experienced mental health issues there or do so currently in the community. Culminating in co-produced arts events/installations, we will form new narratives in creative ways before both site and memories are lost to us.

Mae Susan Adams a finnau yn dechrau prosiect newydd gyda’n gilydd, wedi’i gynorthwyo gan Gyngor Celfyddau Cymru a’r Loteri Genedlaethol.

Ar ôl dros ganrif, mae olion ffisegol o’r cyn-Ysbyty Canolbarth Cymru yn disgyn i gamau olaf o’i ddiddymiad, ond fe barheir i fod yn safle o berthnasedd emosiynol dwys a chymhleth i lawer o gymunedau a grwpiau gwahanol. Trwy archwilio’r safle mewn ffordd ddychmygus a cheisio darganfod y straeon cudd ymhlyg, byddwn yn gwahodd lleisiau unigolion o fewn y gymuned sydd wedi delio gyda phroblemau iechyd meddwl ac unigolion a phrofir yn bresennol. Byddwn yn cloi gyda digwyddiadau/gosodiadau celfyddydol wedi’u cyd-gynhyrchu, gan llunio chwedlau newydd mewn ffyrdd creadigol cyn i ni golli’r safle a’r atgofion i gyd.

https://www.a-n.co.uk/blogs/a-private-land-tir-diarffordd/post/52629564/

 

Achievements

18 Mar – 29 Apr Paintings included in Concentric, West Wharf, Cardiff, CF1 5DB. Thurs, Fri, Sat, 10am-5pm.

One strand of my work is the exploration of psychological states of being and something of the way the world
and the human psyche interact with and modify one another; the way that constructs of reality are continually
being transformed by the flow of fantasy, and by the traumas and pleasures of engagement.

Recurrent images of wounding, decapitation and dismemberment act as metaphors for psychological events
such as the movement from closure into freedom; loss or extension of identity; damage, scattering and the
search for reintegration and so on. The Achievements series is based on heraldic symbols of power and
prestige, seen on a 17th century monument in Salisbury Cathedral.

SCORE

Experimental installation for SCORE: Space and Performative Practices at tactileBOSCH Lounge, Cardiff
‘an ongoing winter playground for performance artists or artists working with live elements to come
together and… allow things to happen.’

6 Jan and 2 Mar 2023 Made in honour of the bumper apple crop of 2022, with libations to the health
of the trees in 2023. Thanks to @abi_hubbard_creative for her impromptu performance, animating the
installation to waken the sleeping tree spirits and frighten off any evil demons that may be lurking in the branches https://vimeo.com/787291464

24 Mar 2023 My tiny contribution to the topsy turvy carnivalesque world of Wrath and Tempo
at SHIFT, Cardiff.

Generously hosted by @bethgreenhalgh. Check out @tactilebosch and @shiftcardiff  for more
documentation and participants. Thanks to Beth for the first photo.

Memory Into Landscape

Connectives are going to Elysium Gallery, Swansea for their exhibition, Memory into Landscape
18 Nov 2022 preview. Exhibition continues until 23 Dec.
Gallery open Weds – Sat 11am – 9pm. 210 High Street, Swansea SA1 1PE

Elysium gallery presents seven artists who investigate the relationship between landscape, history and identity through their personal experiences, perceptions, and narratives: especially how the past imprints itself on the present in our physical environments.

Lucien Anderson / Caroline Bugby / Isabella Campbell / Sara Dudman / Penny Hallas / Connie Hurley / Nikta Mohammed

Selected by Kathryn Campbell Dodd and Dr. Robert Newell

      

Reframing the Past >> Emerging Futures

Aug 26-28 2022 Live streaming of the video Megan Arnold and I have made as part of this
international collaborative project with Elysium Gallery and IICSI 
Click on http://improvfest.ca/ to watch live.

After talking about the paths laid out for us, whether on the land or in our stars, we decided to follow
will o’ the wisps. Through a process of call and response we have exchanged video, performance, sound
and texts which have taken us both off the beaten track and into unfamiliar terrain. Guided by instinct,
embracing risk and open to accident we found ourselves playing in the margins between freedom and
restraint, gravity and absurdity. The Future of the Universe / Mae Dyfodol y Bydysawd is a karaoke-
inspired video that subverts ideas of pre-determined futures on a personal, global, and galactic level.

You can read the full lyrics here Lyric sheet

Elysium gallery in partnership with IICSI commissioned 6 artists from Canada and Wales to
work together, developing cross-Atlantic strategies to create critical and experimental new work online.
Through A series of monthly online artist discussions, we want to create an innovative platform for
creative collaborations that will evolve into developing ideas that will form part of Elysium’s contribution
to IICSI’s IF Improvisation Festivals in 2022. With Jonathan Powell, Stephen Donnelly and Daniel Trivedy.
This project is supported by Wales Arts International

Other selected artists are: Tricia Enns, Jessica Lerner, Andrew Maize & Euros Rowlands.

Our Picturesque Landscape

Starting a new project in the Dee Valley as artist in residence with Our Picturesque Landscape

Image: canal and river water flanking the ultimate picturesque view from Dinas Bran, with anti-erosion measures

At the beginning of May, I started a research phase, gathering material to develop into a series of large scale drawings in the style of a myriorama. Myrioramas became a popular entertainment and educational tool in the early 1800’s, just as tourism was developing and as ideas of picturesque and sublime were being formed but also challenged by profound changes due to industrial and agricultural revolution. I will draw on this format  to respond imaginatively to a range of sites along the Dee Valley, bringing them into new relationship. By including visual elements that reflect the dilemmas and pressures on the Dee Valley – an area of intense and often conflicting demands – the work will offer new perspectives and awareness of important issues. The interchangeability of panels disrupts linear expectations and allows varying narratives of sense of place – and extends conversation about beauty, value, risk, damage and loss, unexpected impacts of human activity, resilience and reparation.

Image below: 1824 Clake’s Myriorama

Hibernators / Gaearfgwyr

Jun 7 – Jul 2 2022
Group show ‘inspired by the time the world went to sleep’
The Art Shop, 8 Cross Street, Abergavenny, Monmouthshire. NP7 6SD
Tuesday – Saturday 09:30 a 17:00

Earlier this year I returned to painting on cat’s eyes, making 2 distinct series: Route 1 and Route 2.
Here’s a tiny preview of Route 1 – this image is a close up of 2 paintings reflecting on inner and outer journeys. View from Eglwys Faen cave mouth and horseshoe bat in Agen Allwedd caving system, Mynydd Llangatwg (each lense 1.5cms – oil paint).

Thanks David Morgan Davies and the Art Shop

DEMOLUTION

Connectives drawings included in DEMOLUTION, ‘an exhibition on the theme of destruction, revolution and societal collapse’.

23 April opening. Check @kl8exhibitions., Brussels for details and take a look at K.L.8 Exhibition Space for more about the theme and issues of the show.

Concentric celebrates IWD

Revenants (2019-22) in Concentric at tactileBOSCH Lounge, in celebration of International Women’s Day
9-31 Mar 2022 Weds-Sat 1-6pm
18 Mar 6-10pm, Event night with performances

With Jacqueline Alkema, Adéolá Dewis, Leona Jones, Temmah and Patricia Ziad
tactileBOSCH Lounge, Capitol Centre, Queen’s Street, Cardiff CF10 2HQ
@tactilebosch

31 Mar 7-9pm DECENTRIC – live performances with guests Nia Davies, Allen Fisher, Tessa Waite,
Steven Hitchins, Beth Greenhalgh, Lyndon Davies and others…

There is an autobiographical aspect to Revenants, making use as it does of old work and new riffs on old themes, all carefully contained in repurposed antique and vintage frames. Traditionally, a frame closes off and anchors the work of art, reinforcing its status as a solid marketable object in the world. The ones I’ve used here, however, have had their original contents ripped from them, including family portraits, and replaced with my own totems, spirits and reimagined versions of the dead. The question for me is – what does that do to the work and the beings referred to, and what does that do to the frame?

David Greenslade & Supreme Collaborators

Paybox 14

In celebration of the man, the poetry, the art…
Volcano Gallery, Swansea High Street
15 Mar – 5 Apr ’22
19 Mar 5-8pm Open evening and events
https://volcanotheatre.wales/david_greenslade/